EDUCATION:

1997
> UNIVERSITY OF NIGERIA, NSUKKA, B.A. (PAINTING MAJOR)
INTERNATIONAL EXHIBITIONS:

Group Exhibitions
2004
> Reflex, Sandton Convention and Exhibition Center, Sandton, South Africa
2004
> Rites Sacres, Rites Profanes, Kornhausforun, Bern, Switzerland.
2004 > Rendez-vous de l’AFAA, Cite Internationale des Arts, Paris, France.
2004 > 48 Hours With the Children of the Turtle, Espace Alberica, Paris, France.
2004 > 18 African Photographers, Contemporary cultural center, Barcelona, Spain.
2003 > Rituals: Sacred or Secular, 5th Bamako Photography Biennale, Bamako, Mali.
2002 > Jigida, The great Room, Grosvenor House, Park lane, London, Britain.
2000 > Art In The Year 2000, Musee Paris, Paris, France.
2000 > Take One Woman, Atrium Gallery, London, Britain
NATIONAL EXHIBITIONS:

SOLO EXHIBITIONS
2002 > Legends and Illusions, Mydrim Gallery, Ikoyi, Lagos
I999 > Soul Stirrings, Didi Museum, Victoria Island, Lagos
I998 > Prologue, Mbari Gallery, Maryland, Lagos
1998 > My Evolution, American Guest Quarters, Ikoyi, Lagos Mind space(with Uche Edochie) Cagna‘s place, Ikoyi, Lagos
JOINT EXHIBITIONS
2003 > Mind Space( With Nkechi Nwosu Igbo), Cagna’s Place, Ikoyi, Lagos.
2000 > Hybrid (With Nkechi Nwosu-Igbo), Galleria Romana, Ikoyi, Lagos.
GROUP EXHIBITIONS(SELECT)
2002 > Art Expo 2002, TotalfinaElf Complex, Victoria Island, Lagos
2001 > Art Expo 2001, Elf village, Port Harcourt.
1998 > Woman, Hour Glass Gallery, Ikoyi, Lagos.
1998 > Degree Exhibition, Ana Gallery, University Of Nigeria, Nsukka
1997 > The Pulse Of Reason, Faculty Of Arts, University Of Nigeria,Nsukka.
1997 > Promoters Of Nigeria Arts 2 (With Obiora Udechukwu, Blaise Gbaden, and Nkechi Nwosu-Igbo), Goethe Institute, Lagos.
1997 > Drawings I, Ana Gallery, University Of Nigeria, Nsukka.
1996 > The Nude Figure Never Sleeps, Russian Cultural Center, Lagos
1996 > Dance Of The Lyrical Lines, National Museum, Enugu
1996 > Rivulets From Within, Institute Of African Studies Museum, University Of Nigeria, Nsukka.
Works are in private and public collections in Africa, Asia, North America and Europe.
PUBLISHED MATERIALS
> ‘LES TENSIONS DU CHANGEMENT’, L’art dans le monde 2000. Pp28 & 29.
UNPUBLISHED MATERIALS
> THE SEEN AND THE FELT: THE ART OF KELECHI AMADI-OBI
> ULI TRADITIONAL ART AND ITS ADAPTATION TO CONTEMPORARY NIGERIAN ART: THE ART OF CHRIS AFUBA, B.A. THESIS, FINE AND APPLIED DEPARTMENT, UNIVERSITY OF NIGERIA, NSUKKA.
MAJOR COMMISSION
> Portrait of the President of the Federal Republic of Nigeria, Chief Olusegun Obasanjo.
SELECTED REFERENCES/REVIEWS
> ADEWAKUN AKINNOLA, The Magical World of Uche Edochie, Times Review, Daily Times on
Saturday, October 5, 2002. Pp. 12-13
> IJEOMA OGUACHUBA, In The Face of Installation Art, Thisday, January 28, 2001. p. 43
> OKECHUKWU UWAZUOKE, Articulating the Precepts of a Hybrid, The Comet, Oct 31, 2000. P35
> KATE AMAM, Galleria Romana Presents Hybrid Exhibition, Saturday Champion, Oct 21, 2000. P32
> MAC NWACHUKWU, In Search of Canons: The Art of Uche Edochie ,Vanguard, Oct 19, 2000 p. 26
> OZOLUA UHAKHEME, Searching for self in Hybrid, The Guardian, October 17, 2000 p. 65
> KAZEEM ADELEKE, Hybrid of Future Artists, Thisday, vol. 6, No. 2006, October 2000 p.31.
> MAURICE ARCHIBONG, On The Wings Of Fame, Thisday, October 25,1999 p.32.
> JUSTUS NWAKANMA, Symphony of A Prologue, The Source, Lagos, December 6, 1998, p. 35
> KRYDZ IKWUEMESI, Emerging Statements From Nsukka, Letter From Africa, Volume 2, 1996, p.6.